الكشخـــه و الفناتق الكويتيه ,,, كلها هنــــــــــــــي ((متجدد )) part 2
- بادئ الموضوع نجمه الحالمه
- تاريخ البدء
.،:"$الـعـوبــــة$":،.
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الله يرحمك بابا جابر
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Red Valentino Fall 2012
L’Wren Scott Fall 2012 shoes
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امووووووووووووووووووووت عالاكسسوارات الكبيرةLanvin Spring 2011 Jewelry Collection
بس مشكلتهم ناااااااااااااااااااااااارررر:eh_s(14):
اللي تعرف مكان يبيع شغلات اسعار معقلة و مو شرط ماركه لا تبخل علي:eh_s(11):
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علبالكم عبدالحميد هين ؟؟؟؟
The Epi leather is probably my favourite 'iconic' Louis Vuitton leathers/finishes just because its patina is so subtle yet immediately recognisable at the same time.
Here's a stack of that nude leather that is used to make the handles, the straps and the trims of a lot of Louis Vuitton bags. This was one of the "fake" rules that I learnt about Louis Vuitton bag back - that if it's a fake, the nude leather won't colour or take on an aged patina over time.
We then saw the exotic skins section, where I was admonished for touching these insanely expensive pieces that would then be made up into bags. Asnières is the only place where Louis Vuitton's exotic skin bags are made so I rightfully deserved to be reprimanded considering how expensive some of them are. Here are some stingray and python skins.
What I didn't know was that the shiny sheen on a croc or alligator skin is actually created by rolling an agate stone over the skin until it takes on a shine.
Each piece of luggage comes with a working lock and if you're lucky enough to own several pieces of luggage, you can co-ordinate the locks so that one key opens up all of them.
The hand-eye coordination work got especially intense when it came to the hammering and trimming the trunks. The little nails are hammered in by hand and judged by eye to get the spacing right.
Upstairs was where a lot of the trunks were getting finished, prepped and ready to be shipped off. Some people were also creating the special orders that comes through the atelier. This article here is a feature on Patrick Vuitton and talksa bout some of the weird requests that Vuitton has received ranging from an iPod and speaker case for Karl Lagerfeld, to a little leather case for someone to hold their rubber duck. The designs, whilst far fetched do have some limitations though. “I refuse to design furniture,” Patrick explains. “We are in the business of movement. Nothing is made by our master craftsmen that cannot be easily transported.”
This trunk here is therefore the maximum size Louis Vuitton can make and if it ain't got a handle on it, they're definitely not making it.
Helmut Newton's image of a Crocodile Eating Ballerina from Pina Bausch's ballet in 1983 concludes these educational steps into learning about the atelier process at Louis Vuitton. If anything, I already knew vaguely what steps were involved in the making of Vuitton products, but the pride of the workers was something that was more unexpected. We weren't allowed to photograph their faces but they were happy to show off what they were working on, no matter how minute each step was. I only wish I could have spent more time there before they all started clocking off.
The Epi leather is probably my favourite 'iconic' Louis Vuitton leathers/finishes just because its patina is so subtle yet immediately recognisable at the same time.
Here's a stack of that nude leather that is used to make the handles, the straps and the trims of a lot of Louis Vuitton bags. This was one of the "fake" rules that I learnt about Louis Vuitton bag back - that if it's a fake, the nude leather won't colour or take on an aged patina over time.
We then saw the exotic skins section, where I was admonished for touching these insanely expensive pieces that would then be made up into bags. Asnières is the only place where Louis Vuitton's exotic skin bags are made so I rightfully deserved to be reprimanded considering how expensive some of them are. Here are some stingray and python skins.
What I didn't know was that the shiny sheen on a croc or alligator skin is actually created by rolling an agate stone over the skin until it takes on a shine.
Each piece of luggage comes with a working lock and if you're lucky enough to own several pieces of luggage, you can co-ordinate the locks so that one key opens up all of them.
The hand-eye coordination work got especially intense when it came to the hammering and trimming the trunks. The little nails are hammered in by hand and judged by eye to get the spacing right.
Upstairs was where a lot of the trunks were getting finished, prepped and ready to be shipped off. Some people were also creating the special orders that comes through the atelier. This article here is a feature on Patrick Vuitton and talksa bout some of the weird requests that Vuitton has received ranging from an iPod and speaker case for Karl Lagerfeld, to a little leather case for someone to hold their rubber duck. The designs, whilst far fetched do have some limitations though. “I refuse to design furniture,” Patrick explains. “We are in the business of movement. Nothing is made by our master craftsmen that cannot be easily transported.”
This trunk here is therefore the maximum size Louis Vuitton can make and if it ain't got a handle on it, they're definitely not making it.
Helmut Newton's image of a Crocodile Eating Ballerina from Pina Bausch's ballet in 1983 concludes these educational steps into learning about the atelier process at Louis Vuitton. If anything, I already knew vaguely what steps were involved in the making of Vuitton products, but the pride of the workers was something that was more unexpected. We weren't allowed to photograph their faces but they were happy to show off what they were working on, no matter how minute each step was. I only wish I could have spent more time there before they all started clocking off.
